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Showing posts from January, 2025

Song Recommendation: Mogwai - “Fanzine Made of Flesh” (2025)

Mogwai’s new album, The Bad Fire, is, true to its name, an absolute scorcher of a record. Top to bottom it’s packed with a fantastic mix of all the slightly disparate modes that Mogwai have deployed in their nearly 30 year career: there’s that incredible quiet-loud-quiet-LOUD thing that they perfected back with Mr. Beast, good crunchy guitars like on the majestically dour Hardcore Will Never Die, But You Will, there’s plenty of great synth work, like from their underrated Atomic, and, hell, they even take some cues from the likes of Black Moth Super Rainbow and commit to the woozy aesthetics of the vocoder. And best of all, with The Bad Fire it really seems like they make the mix just work. I’ll point out “Fanzine Made of Flesh” as a starting point if you don’t want to just give the full album a go. Playing almost like if BMSR’s side project, TOBACCO, collaborated with early 2000’s Grandaddy to try to score a low budget version of The Lego Movie.

Song Recommendation: "Under Glass" by Wolf Parade (2020)

It’s the 5th anniversary release of the 5th Wolf Parade album, Thin Mind. “Under Glass” still stands as my favorite track and one that really (really) resonated throughout 2020. How could they have known that, only months from this album dropping we would all be able to scream along at the top of our lungs: “and now I can’t remember how life was outside?” And its critique of late-stage capitalism and its nepotistic cronyism is still not only apt but depressingly relevant: “[they poison] minds so nobody knows what they want…I wonder how I even know the names of the useless sons and daughters of the criminal class?” (Hunter, Ivanka, Baron, et al anyone?) And, of course the whole song just also rips. And, while it’s my favorite track on the record, the whole rest of the album is outstanding and worth a listen (I did name it may favorite of that year for a reason). I do hope we get some more tunes from Wolf Parade soon, can’t believe it’s already been half a decade.

My Favorite Albums from 2024

  1. King Gizzard & The Lizard Wizard - Flight b741 

  2. Slomosa - Tundra Rock

  3. GUM & Ambrose Kenny-Smith - Ill Times

  4. Donato Dozzy - Magda

  5. Mary Lattimore & Walt McClements - Rain on the Road

  6. Foxing - Foxing

  7. Fabienne Debarre - Welcome to the Age of Broken Minds

  8. Craven Faults - Bounds

  9. Half Waif - See You At the Maypole

  10. Vista House - They’ll See Light

  11. Godspeed You! Black Emperor - NO TITLE AS OF 13 FEBRUARY 2024 28,340 DEAD

  12. Charli XCX, et al. - Brat and it’s completely different but also still brat

  13. Ben Luka Boysen - Alta Ripa

  14. 36 - Exit All the Lights

  15. KNEECAP - Fine Art

  16. A.G. Cook - Britpop

  17. Oval Angle - Figures of Speech

  18. Los Bitchos - Talkie Talkie

  19. Pom Pom Squad - Mirror Starts Moving Without Me

  20. GIFT - Illuminator


Other notable releases: μ-Ziq’s Grush, Loula Yorke’s Volta, Jónsi’s First Light, Deerlady’s Greatest Hits, MILLY’s Your Own Becoming, Pye Corner Audio’s The Endless Echo, Anis Kitu’s Kaihola, Jack White’s NO NAME, MONO’s OATH, WHY?’s The Well I Fell Into, Loma’s How Will I Live Without A Body?, Blisspoint’s Dog, St. Vincent’s All Born Screaming, Goat’s Goat, Hawksmoor’s Oneironautics, Socks and Ballerina’s A Bit Jumpy., Xylitol’s, Anemones, Bogdan Raczynski’s You’re Only Young Once But You Can Be Stupid Forever, Nemahsis’s Verbathim, Kelly Lee Owen’s Dreamstate, Loscil’s Umbel, ORB’s Tailem Bend, Floating Points’s Cascade, Kiamos’s II, Frances Forever’s Lockjaw, O.’s WeirdOs, Discovery Zone’s Quantum Web, Prayer’s Loss of Meaning, Chihei Hatakeyama’s Thousand Oceans, Jonny From Space’s Back Then I Didn’t But Now I Do, Trees Speak’s TimeFold, Autechre's AE_2022--




Note: This is a long post folks so I've hidden the rest under the fold for easy scrolling. 

Song Recommendation: "COMBAT" by Ela Minus (2025)

This is the kind of song that starts religions. What an absolutely stunning piece of music. It took me a little time to appreciate it on its own merits; there might be an alternate universe where this track drops into a banger in its second half because of how much intense, mounting energy it contains. But, I think, the version we have in this universe is ultimately a stronger artistic statement: all ambience, swirling synths and air. 

It's the motion of the thing. It's the twinkling details. The breath. It's the way she laughs at the end of a phrase. It's the way she can't contain herself at the end of the music video. It's the touch of earnest body horror in the same video as she shows us her beating heart. The song (and its transcendent video) have been out since the middle of last year and I'm very sorry to be late to this one folks. But, with the release of Ela Minus's new (and also fantastic) full length, DÍA, I guess it's at least a time-appropriate recommendation. 

Regardless. this song's been on repeat for two days straight and I really also kind of need you to watch the video. And if you're interested, below the video are the lyrics and translation and with all that I kinda see why see loses it at the end of the video and I refer you back to that first sentence. This is a legitimately awesome and profound work that I'll be thinking about for a long time. 

Los pájaros nacidos en jaula
no le tenemos miedo a nada.
We're all birds born in a cage
but we aren't afraid of anything

creyeron que no nos íbamos
a acordar de volar… 
They thought we wouldn't remember
we could fly

creyeron que no nos íbamos
a atrever a saltar.
they thought we wouldn't dare to leap

Entre más se acerquen las paredes
más fuertes las ganas de tumbarlas,
The closer the walls get
the stronger the will to break them

de no parar hasta quemarlo todo...
and to not stop until it's all been burned...

No parar.
Never stop. 

Book Review: Nuclear War: A Scenario (2024) by Annie Jacobsen

Note: This isn't quite a recommendation but since I do intend to read more books this year, I wanted to post any book thoughts here.

The only thing more horrifying than all the events described in this book is that, despite drawing on exclusive interviews with high-ranking US military officials and newly declassified information, nothing author Annie Jacobsen postulates in the scenario she depicts in these pages was really all that surprising. While maybe not having all the specifics, we’ve known, more or less, all this stuff since the beginning. “I am become death,” Dr. Strangelove, Threads, hell, even stuff like The Far Side and Mad Max understand the existential absurdity and near certain obliteration of humankind that would ensue in an all-out nuclear war. And, the book is quick to point out, because of the upside-down logic of deterrence, all-out nuclear war is practically inevitable once the (atomic bomb) train starts rolling.

Of course the book is certainly propaganda and, I think, dangerously uncritical of the origins of nuclear weapons in the first place (and far too quick to throw under the bus the collectivism that would certainly be the only hope at salvation for any survivors), but because the facts of the case in regards to how untenable an idea like deterrence really is and the terrifying reality of the destructive power of nuclear weapons is, the overall conclusions of the book, if any version of the breaking points are reached, are just factually correct. 

I’m not sure this is necessary reading if you’re even slightly plugged into this stuff but if it has any chance of changing any minds and brings more advocates for complete nuclear disarmament into the fold, then I guess it’s an overall good. For my money though, if you need the same punch for a 1/10 of the time and much less unproductive fear mongering about North Korea, watch the fictional BBC telemovie Threads, from 1984, which depicts in close detail the aftermath of a nuclear strike in Sheffield, England. Though I will say I have been thinking about Jacobsen's last couple points in her scenario's timeline--in which we skip forward thousands, then tens of thousands of years to see how very little of humankind could possibly remain--and find them to be as affecting as they are unsettling. I'm always a fan of the big-leap-forward time jumps to really drill down themes (see similar endings to the films Aniara or Don't Look Up for other examples). 

At any rate, yeah, if it’s not clear enough, I am firmly in the camp that even one nuclear weapon represents an existential threat to humanity and none should exist at all. I once wrote a short review about the aforementioned Threads that I’ll end with here: “a true nuclear apocalypse will offer no stories of heroism or redemption, just a long trail of catastrophes and slow-motion annihilation.”

Cover for Annie Jacobsen's Book, Nuclear War


My Favorite Songs from 2024

  1. King Gizzard & The Lizard Wizard - “Le Risque”

  2. Mary Lattimore & Walt McClements - “The Poppies, the Wild Mustard, the Blue-Eyed Grass”

  3. GUM & Ambrose Kenny-Smith - “Ill Times”

  4. Slomosa - “Battling Guns”

  5. Donato Dozzy - “Santa Cunegonda”

  6. TORRES - “I got the fear”

  7. Vista House - “A Seat Behind the Wing”

  8. Loma - “How It Starts”

  9. illuminati hotties - “Didn’t” (feat. Cavetown)

  10. Blanck Mass - “You”

  11. WHY? - “Marigold”

  12. Fabienne Debarre - “All I Can Do”

  13. A.G. Cook - “Lucifer”

  14. Half Waif - “Dust”

  15. Foxing - “Gratitude” 

  16. Sunset Rubdown - “Candles”

  17. RÓIS - “CAOINE”

  18. KNEECAP - “I’m Flush”

  19. Ben Lukas Boysen “Vineta”

  20. 36 - “Blue Crown”

  21. Oval Angle - “Kindly Kept Keen”

  22. Charli XCX - “Guess feat. Billie Eilish”

  23. Yin Yin - “The Year of the Rabbit”

  24. Bolis Pupul - “Completely Half”

  25. Lily Seabird “Take It”



Note: This is a long post folks so I've hidden the rest under the fold for easy scrolling.