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Showing posts with the label Donato Dozzy

My Favorite Albums from 2024

  1. King Gizzard & The Lizard Wizard - Flight b741 

  2. Slomosa - Tundra Rock

  3. GUM & Ambrose Kenny-Smith - Ill Times

  4. Donato Dozzy - Magda

  5. Mary Lattimore & Walt McClements - Rain on the Road

  6. Foxing - Foxing

  7. Fabienne Debarre - Welcome to the Age of Broken Minds

  8. Craven Faults - Bounds

  9. Half Waif - See You At the Maypole

  10. Vista House - They’ll See Light

  11. Godspeed You! Black Emperor - NO TITLE AS OF 13 FEBRUARY 2024 28,340 DEAD

  12. Charli XCX, et al. - Brat and it’s completely different but also still brat

  13. Ben Luka Boysen - Alta Ripa

  14. 36 - Exit All the Lights

  15. KNEECAP - Fine Art

  16. A.G. Cook - Britpop

  17. Oval Angle - Figures of Speech

  18. Los Bitchos - Talkie Talkie

  19. Pom Pom Squad - Mirror Starts Moving Without Me

  20. GIFT - Illuminator


Other notable releases: μ-Ziq’s Grush, Loula Yorke’s Volta, Jónsi’s First Light, Deerlady’s Greatest Hits, MILLY’s Your Own Becoming, Pye Corner Audio’s The Endless Echo, Anis Kitu’s Kaihola, Jack White’s NO NAME, MONO’s OATH, WHY?’s The Well I Fell Into, Loma’s How Will I Live Without A Body?, Blisspoint’s Dog, St. Vincent’s All Born Screaming, Goat’s Goat, Hawksmoor’s Oneironautics, Socks and Ballerina’s A Bit Jumpy., Xylitol’s, Anemones, Bogdan Raczynski’s You’re Only Young Once But You Can Be Stupid Forever, Nemahsis’s Verbathim, Kelly Lee Owen’s Dreamstate, Loscil’s Umbel, ORB’s Tailem Bend, Floating Points’s Cascade, Kiamos’s II, Frances Forever’s Lockjaw, O.’s WeirdOs, Discovery Zone’s Quantum Web, Prayer’s Loss of Meaning, Chihei Hatakeyama’s Thousand Oceans, Jonny From Space’s Back Then I Didn’t But Now I Do, Trees Speak’s TimeFold, Autechre's AE_2022--




Note: This is a long post folks so I've hidden the rest under the fold for easy scrolling. 

My Favorite Songs from 2024

  1. King Gizzard & The Lizard Wizard - “Le Risque”

  2. Mary Lattimore & Walt McClements - “The Poppies, the Wild Mustard, the Blue-Eyed Grass”

  3. GUM & Ambrose Kenny-Smith - “Ill Times”

  4. Slomosa - “Battling Guns”

  5. Donato Dozzy - “Santa Cunegonda”

  6. TORRES - “I got the fear”

  7. Vista House - “A Seat Behind the Wing”

  8. Loma - “How It Starts”

  9. illuminati hotties - “Didn’t” (feat. Cavetown)

  10. Blanck Mass - “You”

  11. WHY? - “Marigold”

  12. Fabienne Debarre - “All I Can Do”

  13. A.G. Cook - “Lucifer”

  14. Half Waif - “Dust”

  15. Foxing - “Gratitude” 

  16. Sunset Rubdown - “Candles”

  17. RÓIS - “CAOINE”

  18. KNEECAP - “I’m Flush”

  19. Ben Lukas Boysen “Vineta”

  20. 36 - “Blue Crown”

  21. Oval Angle - “Kindly Kept Keen”

  22. Charli XCX - “Guess feat. Billie Eilish”

  23. Yin Yin - “The Year of the Rabbit”

  24. Bolis Pupul - “Completely Half”

  25. Lily Seabird “Take It”



Note: This is a long post folks so I've hidden the rest under the fold for easy scrolling. 

Song Recommendation: "Santa Cunegonda" by Donato Dozzy

Dozzy’s work on Magda, the album from which “Santa Cunegonda” hails, reminds me of Finnish producer Aleksi Perälä’s output, especially pieces that he relates to the “Colundi sequence,” a concept that I’m still not fully sure I understand, or even think is entirely real (it may be some elaborate musician’s joke), but in practical terms, for Perälä anyway, it means a single-minded obsession with a small set of tones and beats, repeated in hypnotically long fragments. The point isn't really developing a song so much as putting all the components on display as quickly and often as possible and to let the listener really dictate the vibe. It’s ambient music with a thundering heartbeat, and I’m really glad to have found Donato Dozzy as he, alongside outfits like Craven Faults, 36, Loscil, Lawrence English, M. Geddes Gengras and the aforementioned Perälä, are really at the forefront of this mesmerizing type of music. “Active electronic ambient?” Hm. I’m not trying to pigeonhole Dozzy (or any of these other artists), but I find the wavelength that they’re all exploring just a fascinating liminal space between already relatively amorphous genres. Take a spin through the 10 minutes of “Santa Cunegonda” here, and if it kinda drives you up the wall in the first few minutes, you can stop listening since it more or less stays that way, and this just might not be the kind of music for you. Buuuut if you find yourself captivated and maybe even a little bit transfixed, then the rest of this record might be right up your alley.